Friday 30 May 2014

Learn photography faster: 8 tips, tricks, shortcuts and time savers


If you’re a relative newcomer to photography your probably itching to learn more so we’ve put together 8 tips that will fast-track your understanding and improve your photography.

1. Start using aperture or shutter priority mode

Learn photography faster: 8 tips, tricks, shortcuts and time savers: Aperture priority mode

If you currently shoot using your camera’s full automatic mode or one of the scene modes then it’s time to take a bit more control. Switching to full manual mode can seem a bit daunting and in many situations it’s unnecessary as aperture or shutter priority mode let you take control of the appearance of the image while still letting the camera handle the exposure.
The first step is to decide what’s the most important feature to take control over for a particular scene. In aperture priority mode you set the aperture while the camera sets the shutter speed to give a correct exposure.
Conversely, in shutter priority mode you set the shutter speed and the camera selects an appropriate aperture.
With a moving subject, for example, you are likely to want to set the shutter speed manually ether to freeze the movement or to produce a nice bit of blur, so you should set your camera to shutter priority mode.
If you are shooting a landscape and want lots of depth of field, or a subject against a busy background that you want to blur, aperture priority is the best choice as it will allow you to set an aperture to dictate depth of field.

2. Use a lens hood

Learn photography faster: 8 tips, tricks, shortcuts and time savers: Lens hood
The primary aim of a lens hood is to shield the front element of a lens from stray light in the same that the peak of a baseball cap shields your eyes from the sun.
It helps prevent flare which can reduce contrast and cause aperture-shaped hot-spots in your image.
A lens hood also provides a little protection for your optic, preventing the glass from being knocked as you carry the camera.
In addition, it can shelter a lens’s front element from drizzle, saving you time wiping the glass between shots or cloning over blurred patches in an image.
If your lens was supplied with a lens hood use it, if it wasn’t, buy one to suit it.

3. Switch to manual focus

Learn photography faster: 8 tips, tricks, shortcuts and time savers: Manual focus
In many situations the fastest way to get a subject sharp is to use a camera’s autofocus (AF) system, but there are a few occasions when it’s better to switch to manual focus mode and drive the lens yourself.
When you’re trying to shoot a near-by subject that’s moving around the same point, for example, it’s often quicker to focus manually at the point that you want to capture the subject and then wait for the composition to come good.
Imagine a clump of daffodils swaying in the breeze, for instance.
If you use your camera’s autofocus system the chances are that the flowers will have moved away from the position you want them in before the camera has finished focusing the lens.
However, if you focus the lens manually, you cut out any focusing delay and just have wait for the flowers to move into the correct position before pressing the shutter release home and taking a shot.

4. Use live view




Friday 23 May 2014

7 daily exercises that will make you a better photographer



The saying ‘practice makes perfect’ is as valid for photography as any other activity, so we’ve put together a collection of exercises that will help you become a better photographer.
7 daily exercises that will make you a better photographer:  Spot meter

1. Spot meter

Modern metering systems have great general-purpose modes, often called Evaluative, Matrix or Multi-area, which do a great job of accessing a scene and setting good ‘average’ exposure settings in many situations.
However, they’re not 100% foolproof and very dark or very light scenes, or backlighting can trick them into over or under exposure.
They’re also not psychic and don’t know what you’re seeing in your head when you take a shot.
Switching to spot metering puts you in control of where the camera meters from and helps you develop a much better understanding of the tonal range in a scene.
A standard spotmetering system allows you to meter from a very small part of the scene and it suggests exposure settings that will render your target a mid-tone.
Consequently, you need to take care with the positioning of this spot, study the scene carefully and decide which is the best area to take a reading from.
It’s often helpful to combine spot metering with AE Lock as this will fix the exposure settings (after metering) while you compose the image.

7 daily exercises that will make you a better photographer: Check the histogram
2. Check the histogram

Just like the Levels display in image editing software packages such as Adobe Photoshop, a camera’s histogram display is a graph that represents the brightness of the pixels that make up an image.
The scale runs from black, with a brightness reading of 0, on the left to white, with a brightness reading of 255, on the right.
The peaks in the histogram indicate the number of pixels with that brightness and a large peak means lots of pixels have that brightness.
This means that a vary dark image will have peaks over to the left of the graph, while a bright one has peaks on the right.
Meanwhile, a correctly exposed ‘ideal’ scene has a histogram with a so-called ‘normal’ distribution with a peak in the middle and just a few very bright and very dark pixels.
Checking the histogram after every shot will increase your understanding of the brightness distribution of an image.
It will also enable you to determine whether an image is under- or over-exposed with the majority of pixels being grouped to the left or right of the graph respectively.

3. Use a single prime lens

15 ways you can improve your photography in a day

You don’t have to be a technology expert to take better pictures. The art of photography lies just as much in how you ‘see’ the world as how much you know about camera settings. So here are our top 15 tips for better photography that almost anyone can use. The more advanced your camera, the more control you’ll have over the settings, but in the end it’s the eye behind the camera that makes the difference…
1. Change your viewpoint
Don’t just shoot everything from head height. Try lying on the ground to get a worm’s eye view or getting up high on a balcony or a rooftop to look down on your subject. It can make everyday subjects look new and different.
2. Fill the foreground
If your subject is far away it can leave the foreground looking empty, so look for some interesting objects to fill it, such as a bed of flowers or a cafe table in a city scene, rocks in a landscape or a boat in a seaside scene.
3. Look for frames
Trying using natural frames for your photos, such as archways, doorways or windows. They can act as a kind of natural enclosure for your subject, whether it’s a portrait, a landscape or a photo of a landmark. It stops your viewers’ eyes from wandering out of the frame and subtly focuses attention on your subject.
4. Shoot at night
The rule with digital camera is, if you can see it, you can photograph it! You can shoot city streets at night by bracing your camera against a wall or a table and using a high ISO, but it’s better still to get a tripod, set a low ISO for best quality and use the camera’s self-timer to fire the shutter so that you don’t jog it and blur the picture.
5. Move in closer
Don’t just take ‘long’ shots. Move in closer and fill the frame with your subjects. It doesn’t matter if you crop off the edges because this can give the picture even greater impact. Try this with patterns and textures, such as fruit on a market stall or brightly-coloured fabrics.
6. Change the exposure
Digital cameras can only estimate the correct exposure – they don’t know whether your subjects are intrinsically light or dark, or how you want the picture to look. So if your picture looks too light or too dark, use the EV compensation control to reduce or increase the exposure. You’re the one who knows what you want your pictures to look like, not the camera!
7. Watch your speed
Camera shake is the single biggest cause of failed photos, so watch your camera’s viewfinder or LCD for the shutter speed indication (you can switch on info displays on most cameras). A speed of 1/30sec or below is risky for hand-held shots, and with telephoto lenses you may need to shoot at 1/250sec or faster. If the light’s too dim for the camera to use these speeds, increase the ISO setting.
8. Capture movement
You can use shutter speeds creatively on cameras with shutter-priority or manual modes. Slow shutter speeds of around 1sec will blur moving water, and 10sec or more will blur pedestrians, and turn traffic at night into trails of light. All you need is a tripod and time to experiment.
9. Switch off the flash
If you’re taking pictures in sports stadiums, theatres or museums, turn off the flash! The only way to get well-lit, natural-looking shots is to increase the ISO setting and use whatever natural lighting there is. Besides, flash is annoying for other people – it’s why photography is banned in so many places.
10. Find your focus
You can’t always trust the camera to choose what to focus on. It might pick the object nearest the camera or whatever is in the centre of the frame, depending on the focus mode. Instead, on most models you can choose the focus point manually, moving it around the frame to position it over your subject.

All India Entrance Exam for film, mass comm, animation and media MBA. Register Now!

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with specialized courses in film, animation, journalism, photography, graphic design and media
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Bachelor’s in Filmmaking, Bachelor’s in Mass Communication, Bachelor’s in Animation

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equipped with the tools, skills and industry connections to excel.

Master’s in Filmmaking, Master’s in Mass Communication

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All India Entrance Exam hall tickets have already been issued for the exam
on May 3rd. Candidates who are shortlisted for interview will be called to
the AISFM campus during May.

Late Admissions Round: May 2014 – June 2014 CLICK HERE

Wednesday 21 May 2014

Aseem Komachi's 8 th photography workshop

Aseem Komachi is a freelance Photographer,he started Photography career in  1995 to present. He is one of the popular photographer in Kerala State of India


LIMITED SEATS ONLY Contact +919847226270, +919388233311
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John Keatley's Classes



Digital Photography Secrets: Taking Great Outdoor Portraits For Dummies



Ever wondered how professional photographers take such great outdoor portraits? Using your camera's flash is the key.  In this tutorial, discover the ins and outs of using your digital camera's flash outdoors.  From exposure modes and settings to positioning models, your digital photos will improve in no time.


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How to Take Portraits With One Flash

Cool Long Exposure Photography Ideas



As it's the season of doing long exposures (if you're out shooting christmas light and fireworks), here are some ideas that you might want to try out during this festive season and beyond!

Music credit:
Batty McFaddin by Kevin MacLeod (incompetech.com)

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Canon 5D Mark iii Review/Functions



*EDIT Sorry for all the "umm's"**
This isnt the great review but I hope it's helpful in someway :)! If you have any questions about the camera, please leave a comment or send me a message asking about it! Stay tuned for other reviews coming soon! Such as 14mm 2.8, 60D, 100mm 2.8 Macro, and more! Thanks for watching :)
Learn More
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Master Tilt-Shift Effects in Photoshop to Create Amazing Miniature Worlds



Make any photo into a toy-like miniature world with this tutorial on the tilt-shift effect. Adobe Education Leader and 2012 Next Photoshop Evangelist Contest winner Nicole Dalesio walks us through the basics. Also discover how to use the blur filter to create bokeh and how to create a vignette for maximum visual impact. 


Unleash the power of Photoshop when you join the online Craftsy class 25 Innovative Photoshop Techniques for Photo & Video. Register here: http://j.mp/QNEAW5

Get Photoshop CC: http://adobe.ly/10ekpOA

Tuesday 13 May 2014

Autodesk Mudbox 2015 Now Available



Mudbox 2015 digital painting and 3D sculpting software is now available as a Desktop Subscription license for $10 USD a month.
By Jennifer Wolfe  



As part of an ongoing commitment to equip indie game makers and artists with powerful, accessible 3D tools, Autodesk has announced that its Mudbox 2015 digital painting and 3D sculpting software is now available as a Desktop Subscription license for $10 USD a month.
Providing an intuitive, tactile method for creating and modifying 3D geometry and textures, Mudbox helps artists customize high-quality 3D models for use in mobile and indie games and other 3D projects. The Academy-Award winning tool preserves asset fidelity and maintains a high-level of detail to ensure nothing is lost from ideation to creation.
Integrating seamlessly into existing creative workflows, Mudbox 2015 helps accelerates development while reducing production costs, without sacrificing quality. For example, an artist can easily sculpt and texture 3D characters, creatures and objects in Mudbox, import them into Autodesk Maya LT 2015 (a 3D animation tool tailored for indie gamer makers) for additional customization, and then export the assets to Unity or other compatible game engines to complete the project.

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Fashion Photography Pro-level certification program from J&M Image Studio.



The J&M Photography course will now be going in a completely new direction.What makes our course unique, is the high quality and production value. The course is completely hands on, one-on-one and designed around learning advanced lighting techniques and building a high end commercially marketable portfolio that will take your career to the next level.
Take your photographic career to the next level and build a commercial portfolio!


This revolutionary course will take your portfolio and career to the next level!


The course is designed as per International Standards where you will not only learn advanced studio lighting techniques, but you will have the opportunity to photograph a commercially marketable fashion photography portfolio under this course. We will be working with top agency represented fashion models, celebrity hair and makeup artists, and top fashion stylists. You will have an opportunity to photograph an incredible editorial style fashion story.

If you want to take your photography to the highest level and start booking lucrative advertising, editorial projects, this is the type of course you should take! It will pay off 100 times over.

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Whats in Store:
1. Editorial Style Fashion story (Outdoor). We will be working with top agency represented fashion models, celebrity hair and makeup artists, and top fashion stylists. You will have an opportunity to photograph an incredible editorial style fashion story.
2. Creative Beauty (Studio) is where we will focus on Lighting Techniques to create stunning beauty images for major magazines and cosmetic brands.
3. Mixing of Lights (Studio). is where you focus on creative mixing of light Techniques to create stunning advertising, fashion and beauty images for major magazines, Brand campaigns and fashion designers.
4. Creative Nude and bikini(Studio/outdoor) is where you will focus on the highest paid photography(nude art) shooting techniques to create every artistic images for Art buyers, corporate calendars and brand campaigns.
5. shooting high Fashion.(Outdoor) You will have an opportunity to photograph an incredible Hi-fashion look.
6. Shooting on your own. On this day we will give you an idea and you need to shoot.
7. Selection of photographs and editing.

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The Special session is focused on the Business Side of Photography, Portfolio Cohesion, Editing, Post Production, Retouching, and each student receives consultation from our Expert Panel of Art Buyers, Photo Editors, Industry Experts and Photography Reps.


On successful completion of this course you will be presented with the certificate of A to Z of Fashion and advertising photography business course of J&M Image Studio Europe.

Team:
Mentored by internationally published duo photographer Jaf Jafri and Olya Milentis and guest photographers.
a total of 10, top agency represented fashion models.
International Make-up artist and Hair stylist
Hi fashion brands/designer garments will be used.


Tution Fee for certification program:
130,000 INR.

Registration procedure. 25,000 INR booking amount rest amount can be given in parts before 1st day of the course. 50% of the fee must be deposited before 1st of May 2014. and rest can be paid in Saint petersburg in Rubles or in USDs only according to the conversation rates of that time.

To book your seat, you can transfer the funds. here is the account details:

Account number: 910010013511303
Account Holder's name: MOHAMMAD HASAN JAFRI
Bank: Axis Bank
Branch: Malviya Nagar, New delhi.

After transferring or depositing in account please send the transaction ID
for our reference.

Dates: 28 June 2014- 5 July 2014.

Visa invite will be given for 14 days.

Catering, tickets, traveling, entry tickets and accommodation are not included into the price

for visa invite 8000 INR will be charged.

Please enroll while space is still available!

You need to have a valid passport.
fees is non refundable.


We can help you in accommodation, flight tickets and all at actual cost.


For any sort of questions feel free to write us or call us.
Contact:
jm@jm-imagestudio.com

jm.imagestudio@gmail.com

+91 9999042730   JOIN NOW


Tuesday 6 May 2014

How to Film Using Autofocus, Rack Focus and Manual Focus Techniques




For photographers used to looking through their camera’s viewfinder to compose and shoot photographs, shooting video may take a little getting used to because it uses Live View on the camera’s LCD display.
To focus using Autofocus, simply choose your AF area mode and AF focus mode.
To focus the camera in Live View, using AF, simply frame up your shot, and press the shutter button half way down. When the red box turns green, your subject is in focus.
For the more adventurous, you can also manually focus the camera by switching the AF button on the side of the camera from AF to M. Remember to check your camera’s User’s Manual for instructions on its particular menu navigation and dial layout.

Rack Focus or Pulling Focus Technique

One of the techniques that Hollywood cinematographers employ often is the rack focus or focus pull. This is where one subject in a scene (foreground or background) is in focus and gradually the focus changes to another subject in the scene. This is a technique that allows the cinematographer to put a dramatic emphasis on one subject and then change that emphasis to another. It is often done in scenes where there is dramatic dialog between characters.
To do this, choose one subject to focus on. Say the subject in the foreground. Focus on that subject and then slowly and smoothly turn the focus ring on the lens barrel until the subject in the background becomes sharp.

Third-party Focus Assist Accessories

There are a variety of accessories made by third-party companies that help you focus the HDSLR when shooting video.
One of these is the Loupe or Finder. A Loupe attaches to the camera, covering the LCD so you can bring the camera to your eye as if you were using the viewfinder to frame your scenes. Different loupes offer different variations of magnification to help you see and focus accurately.
Another accessory is the External Monitor. This is often helpful to use when you are shooting video with one person operating the camera and another person who also needs to see the footage as it is being captured. An external monitor can also be useful for the videographer who wants to view the scene unfolding before his camera on a larger display than the built-in LCD.
A third accessory is a Follow Focus system that will attach to the lens and allow the camera operator to more easily control the motion of the rack focus.
Remember to check your HDSLR camera’s User’s Manual for instructions on its particular menu navigation and dial layout.

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John Keatley's Classes


John Keatley - Lighting The Keatley Way 5/28 9am-6pm

Description:
Lights, camera, action! John is known for his beautiful lighting, and ability to pull intriguing emotion and expression out of his subjects. This class will be a good mix of instruction as well as hands opportunities with lighting. John will be doing a live shoot. He will break down how he lights his portraits, as well as some detailed instruction on how his favorite modifiers work. You will come out of this experience with the confidence and knowledge of how to light the way you have always dreamed of. Some of the more precise details of what this will entail are: Studio lighting, location lighting, ideas to reality, understanding light, understanding different modifiers, working with a crew, photographing people, production value, and much more! Plus, we will be in the Bahamas... So there is that! Learn More

John Keatley - Marketing With The Big Boys 5/29 9am-6pm

Description:
Synopsis: This class is about creating a solid foundation for your brand that will last your entire career. You will learn how to market yourself and your work in a way that is true and honest to you and your brand. How to stay in the game for the long haul, and most importantly, how to land those dream assignments you have been hoping to shoot. Come ready to rack John’s brain with all of your pressing questions. If you have seen John speak before, you know he is an open book, and he will be completely honest with you. He’s been at this for over twelve years, and has built something pretty great. You can too. The industry focus for this class will be commercial photography (editorial, advertising, corporate), although the principles you will learn in this class apply to any business. So if you’re looking to change paths, or just become even more of a rockstar at what you are already doing, don’t miss this. Some of the finer details that will be covered include: branding, collaborating, marketing, what to charge, when to get a rep, bidding, leverage, shooting personal work, making your brand unique, social media, and much more. Plus, we will be in the Bahamas... So there is that! Learn More

John Keatley - Find Your Style 5/31 9am-1pm

Description:
One of the most frequent questions photographers ask is "How do you find your style?" The answer may not be as difficult as you think, but there are many things to consider before you begin your quest to discover this out for yourself. In this class, you will learn how to tap into who you are as a photographer, and how to create images in a way that are uniquely you. You will leave this class with a new excitement about your photography, and a plan of action on how you create the images you have always dreamed of...even if you don't know what that is just yet.
John will cover everything from the basics to the finer details that well established working photographers need to adhere to in creating a well recognized brand. If you are just starting out, or even if you have been at it for a while, this class is a great investment in yourself and your career. Learn More
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John Keatley

headshot

John Keatley has swapped photography stories with Annie Leibovitz, taken geography lessons from Sarah Palin, and learned to craft the perfect cocktail with the best bartender in the country. He’ll climb a tree, fight off a snow monster, or bury someone in kitty litter; all in the name of getting the perfect shot, and that’s just before breakfast. John is known for putting even the most camera-shy individual completely at ease in front of the lens. His quick sense of humor and down-to-earth outlook are what allow him to connect with his subjects and create dramatic images.

His celebrity photography and editorial projects are balanced with his work on international awareness campaigns, such as a recent trip to Liberia to work on a clean water initiative. John’s work is regularly recognized for awards, including American Photography, the PDN, and Communication Arts Photography Annuals.
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Aaron Nace - Plan Your Dream Photo Shoot 5/28 - 5/29


Description:
Class Length: 2 Full Days (8 Hours Each Day, 16 Hours Total)
Class Size: 8 Students
Class Description:
Join photographer and retoucher Aaron Nace for a journey into your dream photo shoot. You and 7 other people will be part of an exclusive group that will be creating a concept, shooting and retouching exactly what you want to learn.
1. Build concept as a team before the workshop begins.  The entire class will be in regualr contact prior to the workshop.  You'll work together as a team to come up with a concept, identify important pre-production Aaron-Nace-Baxter1steps, and begin to gather resources.  Working as a team is vital to large production photo shoots, and working with other creatives is an essential skill.  Everyone's input will be heard, though Aaron will get the final say in any tough decisions.
2. Everyone will have a chance to photograph models for their portfolio.  Because everyone is contributing to every stage of this photo shoot, every should also get credit for it.  It is a team production, and everyone will have a chance to put their own little spin on it.  Nobody wants to have a portfolio piece that looks the same as someone standing next to them.  The concept will stay the same for everyone, but everyone's end image will be undeniably unique.Aaron-Nace-Small
3. Small class size (8 people) means a lot of one-on-one attention.  No one is going to get lost in the crowd during this workshop.  Your participation is not only encouraged, it's vital to the photo shoot's success.  Working as a team to handle the pre-production prior to the trip not only gives you some bonus time with Aaron, it will free up some on-set time to really focus on each student.
4. This is the ultimate exclusive/personal seminar.  A small class size. Extra meetings before you even head to the Bahamas. Two full days of working together.  Aaron's ability to talk for hours.  Sign up for a FANTASTIC experience of a lifetime.

For more information about this specific class  CLICK HERE